“如如不动

事物如其本然，不为表象所牵“

陈也与王淇的作品，充满细腻感，如涓涓流水，娓娓道来。她们不急于显露直白的情感。情绪感知与感情在她们的作品中不仅仅作为叙事主题出现，而被转化为材料、表面、墙面与时间中的细微变化。

陈也通过覆盖、触摸、阻力与材料层次，让身体经验停留在画布之上。王淇则通过矿物颜料、敦煌土色、墙面质感与记忆痕迹，使情感进入更长的时间结构之中。

王淇

Allucinazione 幻觉

55×110cm

矿物颜料、敦煌土、麻纸

2026

这种细腻来自于对感知边界的控制：情感被压入材料，经验被留在痕迹里，图像在尚未被完全说明之前保持开放。她们的作品从图像再现转向材料、身体、场域与时间。让材料、身体和时间成为作品本身的一部分。

如如不动，事事身自显。

Suchness means things as they truly are.Imperturbable means unchained by superficial forms.

Chen Ye and Wang Qi’s works are delicate like slow streams, told gently. They avoid overt emotions. Feelings and sentiments are not just narrative subjects, but transformed into subtle shifts in materials, surfaces, walls and time.

Chen Ye leaves physical experience on canvas via coverage, touch, resistance and material layers. Wang Qi embeds emotion into long spans of time with mineral pigments, Dunhuang earth tones, wall textures and memory marks.